Million-Dollar Throw

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Best Seller
Paperback
$8.99 US
5.5"W x 8.31"H x 0.65"D  
On sale Nov 16, 2010 | 272 Pages | 978-0-14-241558-0
| Grade 5 & Up
Reading Level: Lexile 960L | Fountas & Pinnell V
From the #1 New York Times bestselling author of HEAT and TRAVEL TEAM.

Everyone calls Nate Brodie "Brady" because he's a New England quarterback, just like his idol, Tom Brady. And now he's got a chance to win a million dollars by throwing one pass through a target at halftime in the Patriots; Thanksgiving night game. More than anything, Nate's family needs the money—his dad's been downsized, his mom's working two jobs, and they're on the verge of losing their house. The worry is more weight than a 13-year-old can bear, and it's affecting his playing for his own football team. Suddenly the boy with the golden arm is having trouble completing a pass . . . but can he make the one that really counts?
Mike Lupica is a prominent sports journalist and the New York Times-bestselling author of more than forty works of fiction and non-fiction. A longtime friend to Robert B. Parker, he was selected by the Parker estate to continue the Sunny Randall and Jesse Stone series. View titles by Mike Lupica
Chapter 1
 
This was always the best of it for Nate Brodie, when he felt the slap of the ball in his hands and began to back away from the center, when he felt as if he could see the whole field, and football made perfect sense to him.
 
Sometimes when you were thirteen nothing seemed to make sense, and the world came at you faster and trickier than flying objects in a video game.
 
It was never like that for him in football.
 
Never.
 
Nate had been having more and more trouble figuring out his world lately, especially with everything that had been happening to his family. School was school—he tried hard, but there were times he just felt lost, in search of answers that wouldn’t come.
 
And no matter how hard he tried, how hard he could try, he
was never going to make sense out of what was happening to his friend Abby.
 
But on a Saturday morning like this, underneath all the sun and blue sky, with the guys in the line already into their blocks and Nate feeling as if he had all day to throw the ball—feeling that weird calm he always felt in the pocket—he had all the answers.
 
Football was like this for Nate Brodie.
 
As he scanned the field now, he recognized one of those answers he instinctively knew. Pete Mullaney, his favorite receiver, was about to break into the clear. Once he did that, Nate knew Pete was going to run all day.
 
When it was just Nate and Pete and some of the other guys on the team playing touch football in the empty lot next to Nate’s house, they called this play “Hutchins-and-Go.” One day Nate had told Pete to fake toward the Hutchins’ house, the one on the other side of the lot, fake like he was running a sideline pattern in that direction, and then, as soon as the guy covering him bit, Pete was supposed to plant his outside foot and spin and take off down the sidelines.
 
The play had just always been called Hutchins-and-Go after that.
 
Nate watched as Pete sold his fake now, sold it like he was selling candy, didn’t rush, even turned and looked back for the ball. That was when the defensive back on him committed, turned, and looked for the ball himself.
 
Only Pete was gone.
 
And the ball wasn’t coming, at least not yet.
 
Now it was just a question of what kind of throw Nate wanted to make. Because with the kind of arm he had—his buds and teammates always called him “Brady,” knowing that Tom Brady was Nate’s all-time favorite player—there were a couple of ways he could go. Nate could put a lot of air beneath the ball, really hang it up there and let Pete use those jets of his to run under it. Or Nate could gun one right now, throw one of those dead spirals that was the same as one of his football fastballs, put so much sting and hurt at the end of the pass that Pete sometimes said he wished he was allowed to wear a catcher’s mitt.
 
Nate decided to put this one way up there.
 
Moon shot.
 
He rolled to his right now, feeling pressure coming from his left, a right-handed quarterback’s blind side, without actually seeing it. But just to make sure, to know exactly how much time he had, he shot a quick look over his shoulder and saw that the
Hollins Hills’ nose tackle had cleared Malcolm Burnley, Nate’s center and the best blocker Valley had, on an outside route and was coming hard, thinking he might have a shot at getting his first sack of the day.
 
Nate knew he didn’t.
 
In no hurry, Nate kept moving toward the sideline, toward the Valley bench, almost feeling as if he were floating. Having cleared the pocket completely, a nice patch of open green waited for him a few yards in front of Coach Rivers.
 
He stopped now, planting, making sure to square his shoulders so he didn’t drop his arm angle and sidearm the ball, setting himself on his back foot, carrying the ball high. The throwing mechanics that Coach said you pretty much had to be born with.
 
And he let the ball rip.
 
Knowing that the cornerback who had been covering Pete was never going to catch up with him and that the Hollins Hills safety had no chance of getting over to the sideline in time.
 
He watched the ball like it was on a string, like one of those perfect casts his dad used to make across the water when the two of them still had time to go fishing together, before his dad began working all the time.
 
He hoped his mom was getting this on the video recorder that was on its last legs and had been for a while, because his dad—working a double shift on Saturdays now—wasn’t here to see it in person.
 
The ball came down into Pete Mullaney’s hands, Pete in perfect stride, just crossing the Hollins Hills 10-yard line.
 
Pete pressed the ball to the front of his white uniform with those sure hands of his and crossed the goal line. Then he turned and just tossed the ball to the referee, because if you played on a team with Nate Brodie, if he was the one throwing you the ball, you knew enough not to do some kind of crazy touchdown dance afterward.
 
You could be happy, just not happy enough to show the other team up.
 
Nate was running down the sideline now, almost as fast as Pete just had. All the things that were confusing about his thirteen-year-old life lately—the things that made him sad and just plain mad once he got away from a football field—Nate had left them all in his dust.


By the time Nate got to Pete, the little wide receiver was on the Valley sideline, waiting for him with his arms stretched wide. Nate, taller than Pete by a whole helmet, grabbed him, picked him up, put him down just as quickly, as much celebration as he was going to allow himself, mostly because there was still some game left to play.
 
Pete said, “That throw was legit.”
 
“You always say that,” Nate said.
 
“No, Brady, this time I really mean it. That throw was, like, righteous.”
 
Nate laughed now, couldn’t help it. “I had the wind behind me.”
 
Pete Mullaney shook his head, smiling from behind his face mask. “Dude,” he said, “as far as I can tell, your arm is pretty much where the wind starts.”
 
Nate ran over to Coach Rivers then, to get the play Coach wanted them to run on the conversion. Then he ran back on the field and told his teammates he was faking to LaDell and then taking it in himself, on a roll to his left.
 
Nobody touched him. Valley was up 22–7. They all knew the game was over, even with the clock showing two minutes, straight up, left.
 
He and Pete ran off the field together, knowing that the forty-yarder they’d just hooked up on had put this one in the books.
 
When Nate got back to the bench, Coach Rivers gave him a simple handshake.
 
“A Brady throw all the way,” he said.
 
“I wish,” Nate said.
 
“I’m serious,” Coach said. “Biggest throw of the season.”
 
For now, Nate thought.
 
For now.
Praise for Million-Dollar Throw:
 
“Lupica's football action engages, and his delineation of the athlete's thought process and emotional highs and lows of competition feels visceral and real.” –Kirkus Reviews

“Lupica explores the themes of believing in yourself and handling pressure. Teens who love sports fiction . . . will find this book a rapid, enjoyable read.” –VOYA
 
“Lupica injects plenty of suspenseful sports action into the plot and creates a cast of uniformly likable characters whose faith in teamwork and in each other ultimately earns handsome rewards for all. A natural for graduates of Matt Christopher's sports stories.” –Booklist         

About

From the #1 New York Times bestselling author of HEAT and TRAVEL TEAM.

Everyone calls Nate Brodie "Brady" because he's a New England quarterback, just like his idol, Tom Brady. And now he's got a chance to win a million dollars by throwing one pass through a target at halftime in the Patriots; Thanksgiving night game. More than anything, Nate's family needs the money—his dad's been downsized, his mom's working two jobs, and they're on the verge of losing their house. The worry is more weight than a 13-year-old can bear, and it's affecting his playing for his own football team. Suddenly the boy with the golden arm is having trouble completing a pass . . . but can he make the one that really counts?

Author

Mike Lupica is a prominent sports journalist and the New York Times-bestselling author of more than forty works of fiction and non-fiction. A longtime friend to Robert B. Parker, he was selected by the Parker estate to continue the Sunny Randall and Jesse Stone series. View titles by Mike Lupica

Excerpt

Chapter 1
 
This was always the best of it for Nate Brodie, when he felt the slap of the ball in his hands and began to back away from the center, when he felt as if he could see the whole field, and football made perfect sense to him.
 
Sometimes when you were thirteen nothing seemed to make sense, and the world came at you faster and trickier than flying objects in a video game.
 
It was never like that for him in football.
 
Never.
 
Nate had been having more and more trouble figuring out his world lately, especially with everything that had been happening to his family. School was school—he tried hard, but there were times he just felt lost, in search of answers that wouldn’t come.
 
And no matter how hard he tried, how hard he could try, he
was never going to make sense out of what was happening to his friend Abby.
 
But on a Saturday morning like this, underneath all the sun and blue sky, with the guys in the line already into their blocks and Nate feeling as if he had all day to throw the ball—feeling that weird calm he always felt in the pocket—he had all the answers.
 
Football was like this for Nate Brodie.
 
As he scanned the field now, he recognized one of those answers he instinctively knew. Pete Mullaney, his favorite receiver, was about to break into the clear. Once he did that, Nate knew Pete was going to run all day.
 
When it was just Nate and Pete and some of the other guys on the team playing touch football in the empty lot next to Nate’s house, they called this play “Hutchins-and-Go.” One day Nate had told Pete to fake toward the Hutchins’ house, the one on the other side of the lot, fake like he was running a sideline pattern in that direction, and then, as soon as the guy covering him bit, Pete was supposed to plant his outside foot and spin and take off down the sidelines.
 
The play had just always been called Hutchins-and-Go after that.
 
Nate watched as Pete sold his fake now, sold it like he was selling candy, didn’t rush, even turned and looked back for the ball. That was when the defensive back on him committed, turned, and looked for the ball himself.
 
Only Pete was gone.
 
And the ball wasn’t coming, at least not yet.
 
Now it was just a question of what kind of throw Nate wanted to make. Because with the kind of arm he had—his buds and teammates always called him “Brady,” knowing that Tom Brady was Nate’s all-time favorite player—there were a couple of ways he could go. Nate could put a lot of air beneath the ball, really hang it up there and let Pete use those jets of his to run under it. Or Nate could gun one right now, throw one of those dead spirals that was the same as one of his football fastballs, put so much sting and hurt at the end of the pass that Pete sometimes said he wished he was allowed to wear a catcher’s mitt.
 
Nate decided to put this one way up there.
 
Moon shot.
 
He rolled to his right now, feeling pressure coming from his left, a right-handed quarterback’s blind side, without actually seeing it. But just to make sure, to know exactly how much time he had, he shot a quick look over his shoulder and saw that the
Hollins Hills’ nose tackle had cleared Malcolm Burnley, Nate’s center and the best blocker Valley had, on an outside route and was coming hard, thinking he might have a shot at getting his first sack of the day.
 
Nate knew he didn’t.
 
In no hurry, Nate kept moving toward the sideline, toward the Valley bench, almost feeling as if he were floating. Having cleared the pocket completely, a nice patch of open green waited for him a few yards in front of Coach Rivers.
 
He stopped now, planting, making sure to square his shoulders so he didn’t drop his arm angle and sidearm the ball, setting himself on his back foot, carrying the ball high. The throwing mechanics that Coach said you pretty much had to be born with.
 
And he let the ball rip.
 
Knowing that the cornerback who had been covering Pete was never going to catch up with him and that the Hollins Hills safety had no chance of getting over to the sideline in time.
 
He watched the ball like it was on a string, like one of those perfect casts his dad used to make across the water when the two of them still had time to go fishing together, before his dad began working all the time.
 
He hoped his mom was getting this on the video recorder that was on its last legs and had been for a while, because his dad—working a double shift on Saturdays now—wasn’t here to see it in person.
 
The ball came down into Pete Mullaney’s hands, Pete in perfect stride, just crossing the Hollins Hills 10-yard line.
 
Pete pressed the ball to the front of his white uniform with those sure hands of his and crossed the goal line. Then he turned and just tossed the ball to the referee, because if you played on a team with Nate Brodie, if he was the one throwing you the ball, you knew enough not to do some kind of crazy touchdown dance afterward.
 
You could be happy, just not happy enough to show the other team up.
 
Nate was running down the sideline now, almost as fast as Pete just had. All the things that were confusing about his thirteen-year-old life lately—the things that made him sad and just plain mad once he got away from a football field—Nate had left them all in his dust.


By the time Nate got to Pete, the little wide receiver was on the Valley sideline, waiting for him with his arms stretched wide. Nate, taller than Pete by a whole helmet, grabbed him, picked him up, put him down just as quickly, as much celebration as he was going to allow himself, mostly because there was still some game left to play.
 
Pete said, “That throw was legit.”
 
“You always say that,” Nate said.
 
“No, Brady, this time I really mean it. That throw was, like, righteous.”
 
Nate laughed now, couldn’t help it. “I had the wind behind me.”
 
Pete Mullaney shook his head, smiling from behind his face mask. “Dude,” he said, “as far as I can tell, your arm is pretty much where the wind starts.”
 
Nate ran over to Coach Rivers then, to get the play Coach wanted them to run on the conversion. Then he ran back on the field and told his teammates he was faking to LaDell and then taking it in himself, on a roll to his left.
 
Nobody touched him. Valley was up 22–7. They all knew the game was over, even with the clock showing two minutes, straight up, left.
 
He and Pete ran off the field together, knowing that the forty-yarder they’d just hooked up on had put this one in the books.
 
When Nate got back to the bench, Coach Rivers gave him a simple handshake.
 
“A Brady throw all the way,” he said.
 
“I wish,” Nate said.
 
“I’m serious,” Coach said. “Biggest throw of the season.”
 
For now, Nate thought.
 
For now.

Praise

Praise for Million-Dollar Throw:
 
“Lupica's football action engages, and his delineation of the athlete's thought process and emotional highs and lows of competition feels visceral and real.” –Kirkus Reviews

“Lupica explores the themes of believing in yourself and handling pressure. Teens who love sports fiction . . . will find this book a rapid, enjoyable read.” –VOYA
 
“Lupica injects plenty of suspenseful sports action into the plot and creates a cast of uniformly likable characters whose faith in teamwork and in each other ultimately earns handsome rewards for all. A natural for graduates of Matt Christopher's sports stories.” –Booklist         

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