Vicky Angel

Ebook
On sale Jan 16, 2009 | 176 Pages | 9780307548719
Grades 4-7
Jade is so used to being with and agreeing with Vicky, her larger-than-life best friend, that when a tragic accident occurs, she can hardly believe that Vicky’s gone. But Vicky is a spunky girl who’s not going to let a small thing like death stop her from living life to the fullest. Whether Jade is in school, running, or tentatively trying to make new friends, Vicky makes her presence felt, and it’s not always a good thing.
Jacqueline Wilson is a bestselling author in Britain, second only to J. K. Rowling.

Jacqueline Wilson is the author of award-winning books, including The Suitcase Kid, The Lottie Project, Bad Girls, The Story of Tracy Beaker, Vicky Angel, and The Girls Quartet and she has won the Guardian Children’s Fiction Award, the Smarties Prize, and the Children’s Book Award for Double Act, which was also highly commended for the Carnegie Medal.


ABOUT THE AUTHOR

Jacqueline Wilson was born in Bath, Somerset, in 1945, but spent most of her childhood in Kingston-on-Thames. She always wanted to be a writer and wrote her first “novel” when she was nine, filling countless Woolworths’ composition books as she grew up. She started work at a publisher and then went on to work as a journalist for D.C. Thomson in Scotland after she had an article published in Jackie magazine. Since having her daughter, Emma, she has been writing full time.

Jacqueline’s biggest passion and/or worst vice is buying books. She has over 15,000 books crammed into every corner of her small house—and they’ve started to creep across the carpets. Her favorite holiday place is Hay-On-Wye, which has about twenty secondhand bookshops.

Jacqueline has written numerous books for young people including: Bad Girls, Double Act, The Lottie Project, The Suitcase Kid, The Story of Tracy Beaker, The Bed and Breakfast Star, Cliffhanger, The Illustrated Mum and a quartet for slightly older readers, which includes Girls in Love (an ALA Quick Pick), Girls Under Pressure, Girls Out Late, and Girls in Tears. She has also written a series of crime novels and several plays, which have been broadcast on the radio.

Jacqueline has received countless honors and has won several awards in England, including The Young Telegraph/Fully Booked Award for The Bed and Breakfast Star, the Smarties Prize, the Sheffield Children’s Book Award and the Children’s Book Award for Double Act. The Illustrated Mum was shortlisted for the Whitbread Children’s Book Awardand has won the Children’s Book of the Year at the British Book Awards and the Guardian Children’s Fiction Award. Girls in Tears received the W.H. Smith Children’s Book of the Year Award.


PRAISE

GIRLS IN LOVE
“Tender moments . . . and the funny narrative, filled with British colloquialisms, and clever exchanges . . . make this a breezy read.”
Publishers Weekly


BAD GIRLS
“Wilson proves that bad girls can make for a good story.”
Publishers Weekly


THE LOTTIE PROJECT
“Wilson creatively reshapes [heroine] Charlie’s own experiences to depict the plight of a girl living 100 years earlier, thus adding new dimension to Charlie’s perceptions while offering intriguing period particulars.”
—Starred, Publishers Weekly

“Charlie’s creative writing is a gentle endorsement for using one’s imagination to work through problems. Readers will empathize with many of the situations Charlie copes with.”
The Horn Book Magazine


THE STORY OF TRACY BEAKER
“Wilson again shapes a convincing and memorable heroine with a snappy, fresh voice.”
Publishers Weekly
View titles by Jacqueline Wilson
Vicky's my best friend. We're closer than sisters. They call us the Twins at school because we're so inseparable. We've been best friends ever since we were at nursery school together and I crept up to Vicky at the water trough and she pulled a funny face and then tipped her red plastic teapot and started watering me. Vicky got told off for being mean to me but I didn't mind a bit. I just stood still in the sudden downpour, honored at her attention. Mum was cross because my gilt hairslides went rusty but I didn't care. Vicky hadn't said anything but I knew we were now friends.

We stayed friends all the way through primary school and then we both went on to Downfield. Even Vicky was a bit quiet that first day in Year Seven when we didn't know anyone else. We know everyone now in Year Nine and they're all desperate to be Vicky's friend but we mostly just stick together, the two of us. We're going to be best friends for ever and ever and ever, through school, through college, through work. It doesn't matter about falling in love. Vicky's already had heaps of boyfriends but no one can ever mean as much to us as each other.

We walk to school together, we sit next to each other all day, and after school I either hang out at Vicky's or she comes home with me. I hope Vicky asks me round to her place today. I like her home far more than mine.

It's time to go home now but we're checking out this big notice on the cloakroom door about after-school clubs. We've got a new head teacher who's fussed because Downfield is considered a bit of a dump and so he's determined we're all going to do better in our exams and get involved with all these extracurricular activities.

"It's bad enough having to go to school," Vicky says. "So who's sad enough to want to stay afterlike, voluntarily?"

I nod out of habit. I always agree with Vicky. But I've just read a piece about a new drama club and I can't help feeling wistful. Ever since I was little I've wanted to be an actress. I know it's mad. I'm not anyone special. No one from our housing development ever gets to do anything glamorous or famous, and anyway, even the richest, prettiest, most talented kids can't make a living out of acting. But I just want to act so much. I've never been in anything at all, apart from school stuff. I was an angel in the Nativity play way back in Year Two. Vicky got to be Mary.

Miss Gilmore, who's head of English and drama, had us all in, Toad of Toad Hall when we were in Year Seven. I so wanted to be Toad, but Miss Gilmore chose Fatboy Sam. Typecasting. Though he was good. Very good. But I have this mad, totally secret idea that I could have been better.

Vicky and I were just woodland creatures. Vicky was a very cute squirrel with an extra-fluffy tail. She did little hops everywhere and nibbled nuts very neatly She got a special cheer and clap at the end. I was a stoat. You can't be cute if you're a stoat. I tried to be a very sly sinister stoat, lurking in the shadows, but Miss Gilmore pushed me forward and said, "Come on, Jade, no need to be shy."

I didn't get a chance to explain I was being sly, not shy. I tried not to mind too much. Even Dame Judi Dench would find it hard to get a special cheer if she had to play a stoat.

I didn't want to be an animal. I wanted to play a person. When I'm at home on my own-when Vicky's busy and Mum's at work and Dad's asleep- I parade round the living room and act out all the soaps or I'll do Claire Danes' lines in Romeo and Juliet or I'll just make up my own plays. Sometimes I'll act people I know. I always end up acting Vicky. I close my eyes and think about her voice and when I start saying something I sound just like her. I stay Vicky even when I open my eyes. I can feel her long thick bright hair bouncing about my shoulders and my green eyes are glittering and I'm smiling Vicky's wicked grin. I dance up and down the room until I catch sight of myself in the big mirror above the fireplace and see my own sad pale skinny self. A ghost girl. I always feel much more alive when I'm being Vicky.

"Come on, Jade," Vicky says, tugging at me.

I'm reading the Drama Club notice one more time. Vicky's getting impatient.

"You're not interested in that weirdo club, are you?"

"No! No, of course not," I say, although I'm extremely interested and Vicky knows I am. There's a little gleam in her green eyes like she's laughing at me.

I take a deep breath.

"Well, maybe I am interested," I say. I know I shouldn't always let her walk all over me. I should try standing up for myself for once. But it's hard when I'm so used to doing what Vicky wants. "You wouldn't join with me, would you?" I ask.

"You've got to be joking!" says Vicky. "Miss Gilmore's running it. I can't stick her."

Nearly all the teachers think Vicky wonderful, even when she's cheeky to them, but Miss Gilmore is often a bit brisk with Vicky, almost as if she irritates her.

I know Miss Gilmore's dead boring," I agree tactfully. "But it could be fun, Vicky. A real laugh. Go on, please, let's. I bet you'd get all the best parts."

"No. I wouldn't. Not necessarily," says Vicky. "I don't like acting anyway. I don't see the point. It's just like playing a silly kid's game. I don't get why you're so keen, Jade."

"Well ... it's just ... Oh, Vicky, you know I want to be an actress." I feel my face flooding scarlet. I want it so badly I always blush when I talk about it. I look awful when I go red. I'm usually so white that the sudden rush of blood is alarming, and a terrible contrast to my pale hair.

I quite fancy being on television-but as myself. Can you see me as a TV presenter, eh?" Vicky starts a wacky telly routine, using the end of her tie first as a mike and then turning it into a little kid's puppet, making it droop when she tells it off for being naughty.

I can't help laughing. Vicky's so good at everything. I think she really could get on television. She could do anything she wants. She'd have no trouble at all making it as an actress.

"Please, Vicky. Let's join the Drama Club," I say.

"You join the silly old Drama Club."

I don't want to join by myself."

I always do everything with Vicky. I can't imagine joining anything independently. It wouldn't be the same.

"Don't be so wet, Jade," says Vicky. "You go. We don't always have to be joined at the hip." She gives her own hip a little slap. "Stop growing, you guys," she says. "I'm curvy enough now, right? And as for you, Big Bum!" She reaches round and gives her bottom a punch. "Start shrinking straight away, do you hear me?"

"You've got an absolutely perfect figure and you know it, so stop showing off," I say, giving her a nudge. Then I slip my hand through the crook of her elbow so we're linked. "Please please pretty please join the Drama Club with me?"

"No! Look, you wouldn't automatically join anything I wanted to go to, would you?" says Vicky, tossing her hair so that it tickles my face.

"Yes I would. You know I would. I'd join anything for you," I say.

Vicky's eyes gleam emerald.

"Right!" She looks up at all the notices for clubs. "OK, OK. I'll go to the dopey old Drama Club with you if ... you'll join the Fun Run Friday Club with me."

"What? )y

"There! That's settled. So it's drama on Wednesdays after school and fun running on Fridays. What a starry new social life!" says Vicky.

"You are joking, aren't you?"

"Nope. Deadly serious," says Vicky, and she whips out her felt pen and writes her name and mine on the Drama Club list and for the Fun Run Club too.
"A brilliant writer of wit and subtlety whose stories are never patronising and often complex and many-layered." — The Times

"Jacqueline Wilson has a rare gift for writing lightly and amusingly about emotional issues." — American Bookseller

"She’s so good, it’s exhilarating." — Philip Pullman

About

Jade is so used to being with and agreeing with Vicky, her larger-than-life best friend, that when a tragic accident occurs, she can hardly believe that Vicky’s gone. But Vicky is a spunky girl who’s not going to let a small thing like death stop her from living life to the fullest. Whether Jade is in school, running, or tentatively trying to make new friends, Vicky makes her presence felt, and it’s not always a good thing.

Author

Jacqueline Wilson is a bestselling author in Britain, second only to J. K. Rowling.

Jacqueline Wilson is the author of award-winning books, including The Suitcase Kid, The Lottie Project, Bad Girls, The Story of Tracy Beaker, Vicky Angel, and The Girls Quartet and she has won the Guardian Children’s Fiction Award, the Smarties Prize, and the Children’s Book Award for Double Act, which was also highly commended for the Carnegie Medal.


ABOUT THE AUTHOR

Jacqueline Wilson was born in Bath, Somerset, in 1945, but spent most of her childhood in Kingston-on-Thames. She always wanted to be a writer and wrote her first “novel” when she was nine, filling countless Woolworths’ composition books as she grew up. She started work at a publisher and then went on to work as a journalist for D.C. Thomson in Scotland after she had an article published in Jackie magazine. Since having her daughter, Emma, she has been writing full time.

Jacqueline’s biggest passion and/or worst vice is buying books. She has over 15,000 books crammed into every corner of her small house—and they’ve started to creep across the carpets. Her favorite holiday place is Hay-On-Wye, which has about twenty secondhand bookshops.

Jacqueline has written numerous books for young people including: Bad Girls, Double Act, The Lottie Project, The Suitcase Kid, The Story of Tracy Beaker, The Bed and Breakfast Star, Cliffhanger, The Illustrated Mum and a quartet for slightly older readers, which includes Girls in Love (an ALA Quick Pick), Girls Under Pressure, Girls Out Late, and Girls in Tears. She has also written a series of crime novels and several plays, which have been broadcast on the radio.

Jacqueline has received countless honors and has won several awards in England, including The Young Telegraph/Fully Booked Award for The Bed and Breakfast Star, the Smarties Prize, the Sheffield Children’s Book Award and the Children’s Book Award for Double Act. The Illustrated Mum was shortlisted for the Whitbread Children’s Book Awardand has won the Children’s Book of the Year at the British Book Awards and the Guardian Children’s Fiction Award. Girls in Tears received the W.H. Smith Children’s Book of the Year Award.


PRAISE

GIRLS IN LOVE
“Tender moments . . . and the funny narrative, filled with British colloquialisms, and clever exchanges . . . make this a breezy read.”
Publishers Weekly


BAD GIRLS
“Wilson proves that bad girls can make for a good story.”
Publishers Weekly


THE LOTTIE PROJECT
“Wilson creatively reshapes [heroine] Charlie’s own experiences to depict the plight of a girl living 100 years earlier, thus adding new dimension to Charlie’s perceptions while offering intriguing period particulars.”
—Starred, Publishers Weekly

“Charlie’s creative writing is a gentle endorsement for using one’s imagination to work through problems. Readers will empathize with many of the situations Charlie copes with.”
The Horn Book Magazine


THE STORY OF TRACY BEAKER
“Wilson again shapes a convincing and memorable heroine with a snappy, fresh voice.”
Publishers Weekly
View titles by Jacqueline Wilson

Excerpt

Vicky's my best friend. We're closer than sisters. They call us the Twins at school because we're so inseparable. We've been best friends ever since we were at nursery school together and I crept up to Vicky at the water trough and she pulled a funny face and then tipped her red plastic teapot and started watering me. Vicky got told off for being mean to me but I didn't mind a bit. I just stood still in the sudden downpour, honored at her attention. Mum was cross because my gilt hairslides went rusty but I didn't care. Vicky hadn't said anything but I knew we were now friends.

We stayed friends all the way through primary school and then we both went on to Downfield. Even Vicky was a bit quiet that first day in Year Seven when we didn't know anyone else. We know everyone now in Year Nine and they're all desperate to be Vicky's friend but we mostly just stick together, the two of us. We're going to be best friends for ever and ever and ever, through school, through college, through work. It doesn't matter about falling in love. Vicky's already had heaps of boyfriends but no one can ever mean as much to us as each other.

We walk to school together, we sit next to each other all day, and after school I either hang out at Vicky's or she comes home with me. I hope Vicky asks me round to her place today. I like her home far more than mine.

It's time to go home now but we're checking out this big notice on the cloakroom door about after-school clubs. We've got a new head teacher who's fussed because Downfield is considered a bit of a dump and so he's determined we're all going to do better in our exams and get involved with all these extracurricular activities.

"It's bad enough having to go to school," Vicky says. "So who's sad enough to want to stay afterlike, voluntarily?"

I nod out of habit. I always agree with Vicky. But I've just read a piece about a new drama club and I can't help feeling wistful. Ever since I was little I've wanted to be an actress. I know it's mad. I'm not anyone special. No one from our housing development ever gets to do anything glamorous or famous, and anyway, even the richest, prettiest, most talented kids can't make a living out of acting. But I just want to act so much. I've never been in anything at all, apart from school stuff. I was an angel in the Nativity play way back in Year Two. Vicky got to be Mary.

Miss Gilmore, who's head of English and drama, had us all in, Toad of Toad Hall when we were in Year Seven. I so wanted to be Toad, but Miss Gilmore chose Fatboy Sam. Typecasting. Though he was good. Very good. But I have this mad, totally secret idea that I could have been better.

Vicky and I were just woodland creatures. Vicky was a very cute squirrel with an extra-fluffy tail. She did little hops everywhere and nibbled nuts very neatly She got a special cheer and clap at the end. I was a stoat. You can't be cute if you're a stoat. I tried to be a very sly sinister stoat, lurking in the shadows, but Miss Gilmore pushed me forward and said, "Come on, Jade, no need to be shy."

I didn't get a chance to explain I was being sly, not shy. I tried not to mind too much. Even Dame Judi Dench would find it hard to get a special cheer if she had to play a stoat.

I didn't want to be an animal. I wanted to play a person. When I'm at home on my own-when Vicky's busy and Mum's at work and Dad's asleep- I parade round the living room and act out all the soaps or I'll do Claire Danes' lines in Romeo and Juliet or I'll just make up my own plays. Sometimes I'll act people I know. I always end up acting Vicky. I close my eyes and think about her voice and when I start saying something I sound just like her. I stay Vicky even when I open my eyes. I can feel her long thick bright hair bouncing about my shoulders and my green eyes are glittering and I'm smiling Vicky's wicked grin. I dance up and down the room until I catch sight of myself in the big mirror above the fireplace and see my own sad pale skinny self. A ghost girl. I always feel much more alive when I'm being Vicky.

"Come on, Jade," Vicky says, tugging at me.

I'm reading the Drama Club notice one more time. Vicky's getting impatient.

"You're not interested in that weirdo club, are you?"

"No! No, of course not," I say, although I'm extremely interested and Vicky knows I am. There's a little gleam in her green eyes like she's laughing at me.

I take a deep breath.

"Well, maybe I am interested," I say. I know I shouldn't always let her walk all over me. I should try standing up for myself for once. But it's hard when I'm so used to doing what Vicky wants. "You wouldn't join with me, would you?" I ask.

"You've got to be joking!" says Vicky. "Miss Gilmore's running it. I can't stick her."

Nearly all the teachers think Vicky wonderful, even when she's cheeky to them, but Miss Gilmore is often a bit brisk with Vicky, almost as if she irritates her.

I know Miss Gilmore's dead boring," I agree tactfully. "But it could be fun, Vicky. A real laugh. Go on, please, let's. I bet you'd get all the best parts."

"No. I wouldn't. Not necessarily," says Vicky. "I don't like acting anyway. I don't see the point. It's just like playing a silly kid's game. I don't get why you're so keen, Jade."

"Well ... it's just ... Oh, Vicky, you know I want to be an actress." I feel my face flooding scarlet. I want it so badly I always blush when I talk about it. I look awful when I go red. I'm usually so white that the sudden rush of blood is alarming, and a terrible contrast to my pale hair.

I quite fancy being on television-but as myself. Can you see me as a TV presenter, eh?" Vicky starts a wacky telly routine, using the end of her tie first as a mike and then turning it into a little kid's puppet, making it droop when she tells it off for being naughty.

I can't help laughing. Vicky's so good at everything. I think she really could get on television. She could do anything she wants. She'd have no trouble at all making it as an actress.

"Please, Vicky. Let's join the Drama Club," I say.

"You join the silly old Drama Club."

I don't want to join by myself."

I always do everything with Vicky. I can't imagine joining anything independently. It wouldn't be the same.

"Don't be so wet, Jade," says Vicky. "You go. We don't always have to be joined at the hip." She gives her own hip a little slap. "Stop growing, you guys," she says. "I'm curvy enough now, right? And as for you, Big Bum!" She reaches round and gives her bottom a punch. "Start shrinking straight away, do you hear me?"

"You've got an absolutely perfect figure and you know it, so stop showing off," I say, giving her a nudge. Then I slip my hand through the crook of her elbow so we're linked. "Please please pretty please join the Drama Club with me?"

"No! Look, you wouldn't automatically join anything I wanted to go to, would you?" says Vicky, tossing her hair so that it tickles my face.

"Yes I would. You know I would. I'd join anything for you," I say.

Vicky's eyes gleam emerald.

"Right!" She looks up at all the notices for clubs. "OK, OK. I'll go to the dopey old Drama Club with you if ... you'll join the Fun Run Friday Club with me."

"What? )y

"There! That's settled. So it's drama on Wednesdays after school and fun running on Fridays. What a starry new social life!" says Vicky.

"You are joking, aren't you?"

"Nope. Deadly serious," says Vicky, and she whips out her felt pen and writes her name and mine on the Drama Club list and for the Fun Run Club too.

Praise

"A brilliant writer of wit and subtlety whose stories are never patronising and often complex and many-layered." — The Times

"Jacqueline Wilson has a rare gift for writing lightly and amusingly about emotional issues." — American Bookseller

"She’s so good, it’s exhilarating." — Philip Pullman

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