Edge Chronicles: Beyond the Deepwoods

Look inside
Paperback
$10.99 US
5.25"W x 7.63"H x 0.63"D  
On sale May 13, 2008 | 288 Pages | 9780440420873
Grades 3-7
Reading Level: Lexile 720L
Young Twig lives in the Deepwoods, among the Woodtrolls, but he isn’t one of them. In a brave attempt to find out where he belongs, Twig wanders into the mysterious, dangerous world beyond the Deepwoods. He meets a collection of odd companions, such as his wise guardian, the Caterbird; the Slaughterers, a peaceful race who butcher animals for their livelihood; and the vicious, bile-swilling Rotsucker. Always watching out for the horrible Gloamglozer, whose presence haunts the thoughts of all the inhabitants of The Edge, Twig steadfastly pursues his quest until he discovers his roots, not among the trees, but in the skies. . . .
© Rolf Marriott
Paul Stewart is the cocreator of the bestselling Edge Chronicles series, with Chris Riddell. He is also the author of a number of previous titles for children including The Wakening. View titles by Paul Stewart
© Rolf Marriott
Chris Riddell is the cocreator of the bestselling Edge Chronicles series, with Paul Stewart. He has illustrated many children's books, including the award-winning Pirate Diary. He is also the political cartoonist for the Guardian and Observer newspapers. View titles by Chris Riddell
The Snatchwood Cabin
Twig sat on the floor between his mother’s knees, and curled his toes in the thick fleece of the tilder rug. It was cold and draughty in the cabin. Twig leaned forwards and opened the door of the stove.

‘I want to tell you the story of how you got your name,’ his mother said.
‘But I know that story, Mother-Mine,’ Twig protested.

Spelda sighed. Twig felt her warm breath on the back of his neck, and smelled the pickled tripweed she had eaten for lunch. He wrinkled his nose. Like so much of the food which the woodtrolls relished, Twig found tripweed disgusting, particularly pickled. It was slimy and smelled of rotten eggs.

‘This time it will be a little different,’ he heard his mother saying. ‘This time I will finish the tale.’

Twig frowned. ‘I thought I’d already heard the ending.’

Spelda tousled her son’s thick black hair. He’s grown so fast, she thought, and wiped a tear from the end of her rubbery button-nose. ‘A tale can have many endings,’ she said sadly, and watched the purple light from the fire gleaming on Twig’s high cheekbones and sharp chin. ‘From the moment you were born,’ she began, as she always began, ‘you were different . . .’

Twig nodded. It had been painful, so painful, being different when he was growing up. Yet it amused him now to think of his parents’ surprise when he had appeared: dark, green-eyed, smooth-skinned, and already with unusually long legs for a woodtroll. He stared into the fire.

The lufwood was burning very well. Purple flames blazed all round the stubby logs as they bumped and tumbled around inside the stove.
The woodtrolls had many types of wood to choose from and each had its own special properties. Scentwood, for instance, burned with a fragrance that sent those who breathed it drifting into a dream-filled sleep, while wood from the silvery-turquoise lullabee tree sang as the flames lapped at its bark — strange mournful songs, they were, and not at all to everyone’s taste. And then there was the bloodoak, complete with its parasitic sidekick, a barbed creeper known as tarry vine.

Obtaining bloodoak wood was hazardous. Any woodtroll who did not know his woodlore was liable to end up satisfying the tree’s love of flesh — for the bloodoak and the tarry vine were two of the greatest dangers in the dark and perilous Deepwoods.

Certainly the wood of the bloodoak gave off a lot of heat, and it neither smelled nor sang, but the way it wailed and screamed as it burned put off all but a few. No, among the woodtrolls, lufwood was by far the most popular. It burned well and they found its purple glow restful.

Twig yawned as Spelda continued her story. Her voice was high-pitched but guttural; it seemed to gurgle in the back of her throat.

‘At four months you were already walking upright,’ she was saying, and Twig heard the pride in his mother’s words. Most woodtroll children remained down on their knuckles until they were at least eighteen months old.

‘But . . .’ Twig whispered softly. Drawn back inside the story despite himself, he was already anticipating the next part. It was time for the ‘but’. Every time it arrived Twig would shudder and hold his breath.

‘But,’ she said, ‘although you were so ahead of the others physically, you would not speak. Three years old you were, and not a single word!’ She shifted round in her chair. ‘And I don’t have to tell you how serious that can be!’

Once again his mother sighed. Once again Twig screwed up his face in disgust. Something Taghair had once said came back to him: ‘Your nose knows where you belong.’ Twig had taken it to mean that he would always recognize the unique smell of his own home. But what if he was wrong? What if the wise old oakelf had been saying — in his usual roundabout way — that because his nose didn’t like what it smelled, this was not his home?

Twig swallowed guiltily. This was something he had wished so often as he’d lain in his bunk after yet another day of being teased and taunted and bullied.

Through the window, the sun was sinking lower in the dappled sky. The zigzag silhouettes of the Deepwood pines were glinting like frozen bolts of lightning. Twig knew there would be snow before his father returned that night.

He thought of Tuntum, out there in the Deepwoods far beyond the anchor tree. Perhaps at that very moment he was sinking his axe into the trunk of a bloodoak. Twig shuddered. His father’s felling tales had filled him with deep horror on many a howling night. Although he was a master carver, Tuntum Snatchwood earned most of his money from the illicit repair of the sky pirates’ ships. This meant using buoyant wood — and the most buoyant wood of all was bloodoak.

Twig was uncertain of his father’s feelings towards him. Whenever Twig returned to the cabin with a bloodied nose or blacked eyes or clothes covered in slung mud, he wanted his father to wrap him up in his arms and soothe the pain away. Instead, Tuntum would give him advice and make demands.

‘Bloody their noses,’ he said once. ‘Black their eyes. And throw not mud but dung! Show them what you’re made of.’

Later, when his mother was smoothing hyleberry salve onto his bruises, she would explain that Tuntum was only concerned to prepare him for the harshness of the world outside. But Twig was unconvinced. It was not concern he had seen in Tuntum’s eyes but contempt.

Twig absent-mindedly wound a strand of his long, dark hair round and round his finger as Spelda went on with her story.

Excerpted from Beyond the Deepwoods by Paul Stewart and Chris Riddell. Text and illustrations copyright © 2004 by Paul Stewart and Chris Riddell. Excerpted by permission of David Fickling Books, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
PRAISE FOR THE EDGE CHRONICLES:

"Sure to please the Potter fans."
Detroit Free Press

"The narrative will cast a spell over readers from the beginning with its utterly odd, off-kilter sense of logic and a vocabulary that is equal parts Dr. Seuss and Lewis Carroll."
Publishers Weekly

"Good fun." –Kirkus Reviews

“Stunningly original.”—The Guardian (UK)

“A richly inventive fantasy . . . one of the most exciting collaborations between a writer and illustrator for a long time.”—The Literary Review (UK)

Paul Stewart & Chris Riddell on Classroom Cast

Paul Stewart & Chris Riddell on Classroom Cast

Paul Stewart & Chris Riddell on Classroom Cast

About

Young Twig lives in the Deepwoods, among the Woodtrolls, but he isn’t one of them. In a brave attempt to find out where he belongs, Twig wanders into the mysterious, dangerous world beyond the Deepwoods. He meets a collection of odd companions, such as his wise guardian, the Caterbird; the Slaughterers, a peaceful race who butcher animals for their livelihood; and the vicious, bile-swilling Rotsucker. Always watching out for the horrible Gloamglozer, whose presence haunts the thoughts of all the inhabitants of The Edge, Twig steadfastly pursues his quest until he discovers his roots, not among the trees, but in the skies. . . .

Author

© Rolf Marriott
Paul Stewart is the cocreator of the bestselling Edge Chronicles series, with Chris Riddell. He is also the author of a number of previous titles for children including The Wakening. View titles by Paul Stewart
© Rolf Marriott
Chris Riddell is the cocreator of the bestselling Edge Chronicles series, with Paul Stewart. He has illustrated many children's books, including the award-winning Pirate Diary. He is also the political cartoonist for the Guardian and Observer newspapers. View titles by Chris Riddell

Excerpt

The Snatchwood Cabin
Twig sat on the floor between his mother’s knees, and curled his toes in the thick fleece of the tilder rug. It was cold and draughty in the cabin. Twig leaned forwards and opened the door of the stove.

‘I want to tell you the story of how you got your name,’ his mother said.
‘But I know that story, Mother-Mine,’ Twig protested.

Spelda sighed. Twig felt her warm breath on the back of his neck, and smelled the pickled tripweed she had eaten for lunch. He wrinkled his nose. Like so much of the food which the woodtrolls relished, Twig found tripweed disgusting, particularly pickled. It was slimy and smelled of rotten eggs.

‘This time it will be a little different,’ he heard his mother saying. ‘This time I will finish the tale.’

Twig frowned. ‘I thought I’d already heard the ending.’

Spelda tousled her son’s thick black hair. He’s grown so fast, she thought, and wiped a tear from the end of her rubbery button-nose. ‘A tale can have many endings,’ she said sadly, and watched the purple light from the fire gleaming on Twig’s high cheekbones and sharp chin. ‘From the moment you were born,’ she began, as she always began, ‘you were different . . .’

Twig nodded. It had been painful, so painful, being different when he was growing up. Yet it amused him now to think of his parents’ surprise when he had appeared: dark, green-eyed, smooth-skinned, and already with unusually long legs for a woodtroll. He stared into the fire.

The lufwood was burning very well. Purple flames blazed all round the stubby logs as they bumped and tumbled around inside the stove.
The woodtrolls had many types of wood to choose from and each had its own special properties. Scentwood, for instance, burned with a fragrance that sent those who breathed it drifting into a dream-filled sleep, while wood from the silvery-turquoise lullabee tree sang as the flames lapped at its bark — strange mournful songs, they were, and not at all to everyone’s taste. And then there was the bloodoak, complete with its parasitic sidekick, a barbed creeper known as tarry vine.

Obtaining bloodoak wood was hazardous. Any woodtroll who did not know his woodlore was liable to end up satisfying the tree’s love of flesh — for the bloodoak and the tarry vine were two of the greatest dangers in the dark and perilous Deepwoods.

Certainly the wood of the bloodoak gave off a lot of heat, and it neither smelled nor sang, but the way it wailed and screamed as it burned put off all but a few. No, among the woodtrolls, lufwood was by far the most popular. It burned well and they found its purple glow restful.

Twig yawned as Spelda continued her story. Her voice was high-pitched but guttural; it seemed to gurgle in the back of her throat.

‘At four months you were already walking upright,’ she was saying, and Twig heard the pride in his mother’s words. Most woodtroll children remained down on their knuckles until they were at least eighteen months old.

‘But . . .’ Twig whispered softly. Drawn back inside the story despite himself, he was already anticipating the next part. It was time for the ‘but’. Every time it arrived Twig would shudder and hold his breath.

‘But,’ she said, ‘although you were so ahead of the others physically, you would not speak. Three years old you were, and not a single word!’ She shifted round in her chair. ‘And I don’t have to tell you how serious that can be!’

Once again his mother sighed. Once again Twig screwed up his face in disgust. Something Taghair had once said came back to him: ‘Your nose knows where you belong.’ Twig had taken it to mean that he would always recognize the unique smell of his own home. But what if he was wrong? What if the wise old oakelf had been saying — in his usual roundabout way — that because his nose didn’t like what it smelled, this was not his home?

Twig swallowed guiltily. This was something he had wished so often as he’d lain in his bunk after yet another day of being teased and taunted and bullied.

Through the window, the sun was sinking lower in the dappled sky. The zigzag silhouettes of the Deepwood pines were glinting like frozen bolts of lightning. Twig knew there would be snow before his father returned that night.

He thought of Tuntum, out there in the Deepwoods far beyond the anchor tree. Perhaps at that very moment he was sinking his axe into the trunk of a bloodoak. Twig shuddered. His father’s felling tales had filled him with deep horror on many a howling night. Although he was a master carver, Tuntum Snatchwood earned most of his money from the illicit repair of the sky pirates’ ships. This meant using buoyant wood — and the most buoyant wood of all was bloodoak.

Twig was uncertain of his father’s feelings towards him. Whenever Twig returned to the cabin with a bloodied nose or blacked eyes or clothes covered in slung mud, he wanted his father to wrap him up in his arms and soothe the pain away. Instead, Tuntum would give him advice and make demands.

‘Bloody their noses,’ he said once. ‘Black their eyes. And throw not mud but dung! Show them what you’re made of.’

Later, when his mother was smoothing hyleberry salve onto his bruises, she would explain that Tuntum was only concerned to prepare him for the harshness of the world outside. But Twig was unconvinced. It was not concern he had seen in Tuntum’s eyes but contempt.

Twig absent-mindedly wound a strand of his long, dark hair round and round his finger as Spelda went on with her story.

Excerpted from Beyond the Deepwoods by Paul Stewart and Chris Riddell. Text and illustrations copyright © 2004 by Paul Stewart and Chris Riddell. Excerpted by permission of David Fickling Books, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Praise

PRAISE FOR THE EDGE CHRONICLES:

"Sure to please the Potter fans."
Detroit Free Press

"The narrative will cast a spell over readers from the beginning with its utterly odd, off-kilter sense of logic and a vocabulary that is equal parts Dr. Seuss and Lewis Carroll."
Publishers Weekly

"Good fun." –Kirkus Reviews

“Stunningly original.”—The Guardian (UK)

“A richly inventive fantasy . . . one of the most exciting collaborations between a writer and illustrator for a long time.”—The Literary Review (UK)

Media

Paul Stewart & Chris Riddell on Classroom Cast

Paul Stewart & Chris Riddell on Classroom Cast

Paul Stewart & Chris Riddell on Classroom Cast

Reading with Purpose Summit Event

On Monday, June 10th, Penguin Random House Education and DK Learning co-hosted a Reading with Purpose Summit Event in collaboration with Molly Ness, PhD. The event took place at Penguin Random House’s NYC headquarters and included sessions featuring leading education experts and a lunchtime author panel. The in-person professional learning event was built to show

Read more

2024 Elementary School Collection

The Penguin Random House Education Elementary School Collection features outstanding fiction, nonfiction, and picture books from Penguin Young Reader’s, Random House Children’s, DK, and Grupo Editorial, as well as children’s publishers distributed by Penguin Random House. Explore online or download this valuable resource to discover great books in specific topic areas such as: Leveled Readers,

Read more

DK Learning Phonic Books Sampler Request

Thank you for your interest in DK Learning | Phonic Books. To download the DK Learning | Phonic Books sampler with four complete readers, please click here and complete the form. Once your information is successfully submitted, a link to download the sampler will be provided on the confirmation screen.   Click here to learn

Read more

PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

Read more