Days of the Blackbird

Illustrated by Tomie dePaola
In this elegant tale, Tomie dePaola imagines how the Days of the Blackbird in northern Italy came to be. Gemma and her father, the Duke of Gennaro, live in a house with a courtyard that fills with birds of all colors through the spring and summer. When the Duke falls ill at the end of summer, Gemma begs the birds to stay to raise his spirits with their song. However, as snow and fierce winds begin to swirl down on the village, the birds must fly south to stay warm, and eventually only one loyal bird remains.

Tomie dePaola was born in Meriden, Connecticut, in 1934, to a family of Irish and Italian background. His determination to create books for children led to a BFA from Pratt Institute in Brooklyn, New York, and an MFA from the California College of Arts & Crafts in Oakland, California. 

His particular way with color, line, detail, and design have earned him many of the most prestigious awards in his field, among them a Caldecott Honor Award for Strega Nona, the Smithsonian Medal, the Kerlan Award from the University of Minnesota for his "singular attainment in children's literature," the Catholic Library Association's Regina Medal for his "continued distinguished contribution," and the University of Southern Mississippi Medallion. He was also the 1990 United States nominee for the Hans Christian Andersen Medal for illustration, and received the Laura Ingalls Wilder Award for lifetime contribution to children's literature in 2011.

DePaola has published almost 200 children's books in 15 different countries over the past 30 years. Among his most well-known titles are the Strega Nona series, 26 Fairmount Avenue, and The Legend of the Indian Paintbrush.

DePaola lives in an interesting house in New Hampshire with his four dogs. His studio is in a large renovated 200-year-old barn.

View titles by Tomie dePaola
A successful and satisfying union of narration and illustration. (School Library Journal)

Fresco-style artwork-the colors washed and clean-accompanies this testament to friendship, fidelity, and generosity; fittingly, the story radiates warmth. (Kirkus Reviews)

About

In this elegant tale, Tomie dePaola imagines how the Days of the Blackbird in northern Italy came to be. Gemma and her father, the Duke of Gennaro, live in a house with a courtyard that fills with birds of all colors through the spring and summer. When the Duke falls ill at the end of summer, Gemma begs the birds to stay to raise his spirits with their song. However, as snow and fierce winds begin to swirl down on the village, the birds must fly south to stay warm, and eventually only one loyal bird remains.

Author

Tomie dePaola was born in Meriden, Connecticut, in 1934, to a family of Irish and Italian background. His determination to create books for children led to a BFA from Pratt Institute in Brooklyn, New York, and an MFA from the California College of Arts & Crafts in Oakland, California. 

His particular way with color, line, detail, and design have earned him many of the most prestigious awards in his field, among them a Caldecott Honor Award for Strega Nona, the Smithsonian Medal, the Kerlan Award from the University of Minnesota for his "singular attainment in children's literature," the Catholic Library Association's Regina Medal for his "continued distinguished contribution," and the University of Southern Mississippi Medallion. He was also the 1990 United States nominee for the Hans Christian Andersen Medal for illustration, and received the Laura Ingalls Wilder Award for lifetime contribution to children's literature in 2011.

DePaola has published almost 200 children's books in 15 different countries over the past 30 years. Among his most well-known titles are the Strega Nona series, 26 Fairmount Avenue, and The Legend of the Indian Paintbrush.

DePaola lives in an interesting house in New Hampshire with his four dogs. His studio is in a large renovated 200-year-old barn.

View titles by Tomie dePaola

Praise

A successful and satisfying union of narration and illustration. (School Library Journal)

Fresco-style artwork-the colors washed and clean-accompanies this testament to friendship, fidelity, and generosity; fittingly, the story radiates warmth. (Kirkus Reviews)

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