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The Swifts: A Gallery of Rogues

Illustrated by Claire Powell
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Best Seller
Hardcover
$17.99 US
5.81"W x 8.56"H x 1.13"D  
On sale Aug 20, 2024 | 384 Pages | 9780593533260
Grades 3-7
Reading Level: Lexile 840L | Fountas & Pinnell X
Instant New York Times bestseller!

Shenanigan Swift is headed to Paris, where new mysteries await in the hilarious, quick-witted sequel to Beth Lincoln’s #1 bestseller, The Swifts: A Dictionary of Scoundrels.


“Abundant wordplay and humor will keep the pages turning.″ —Kirkus, starred review

Now that the family reunion is over and the murderer has been caught, Shenanigan Swift can return to important projects, like searching for the long-lost family treasure. But trouble always finds Shenanigan, and when a valuable painting is stolen from Swift House by a group of eccentric art thieves known as Ouvolpo, she is determined to get it back—even if it means chasing them all the way to Paris. A new adventure is about to begin, and Shenanigan’s sleuthing skills will soon be tested like never before.

A Gallery of Rogues is the highly anticipated sequel to Beth Lincoln’s celebrated debut, A Dictionary of Scoundrels. Beloved characters are back, joined by a fresh flock of relatives from the French branch of the Swift family tree—the Martinets, including Cousins Soufflé, Mercredi, Contraire, and Pomme. Get ready to say bonjour to more secrets, more bodies, and even more fun, in this delicious mystery that once again celebrates words, family, and plenty of shenanigans.
© James Edwin Lane
Beth Lincoln is the award-winning, #1 New York Times bestselling author of The Swifts series, which was inspired by her love of etymology, the gleeful gothic, and classic murder mysteries. Her debut novel, The Swifts: A Dictionary of Scoundrels was the winner of the Barnes & Noble Children’s & YA Book Award and the Nero Book Award for Children’s Fiction. 


Raised in a former Victorian railway station in the North of England, Beth’s childhood fears included porcelain dolls, the Durham panther, and wardrobes that looked at her funny. She grew neither tall nor wise, and never learned to play an instrument—but she did write stories, a bad habit that has persisted to this day. When she isn’t writing, Beth is woodcarving, or making a mess of her flat, or talking the nearest ear off about unexplained occurrences. Her favorite things include ghosts, crisps, and weird old words like bumbershoot and zounderkite. 


She lives in Newcastle upon Tyne with her partner and hopefully, by the time you are reading this, a dog.  View titles by Beth Lincoln
“Thank you all for coming,” said Fauna, pouring tea with one hand and replacing a peg with the other. She had a faint frown on her face; it made her look like her sister. “How are we today?”
 
She surveyed the circle of relatives. There was Aunt Schadenfreude, lounging comfortably with a battered paperback and some­thing green smeared all over her face; Cook, sleeves rolled to the elbows and her cropped hair streaked with motor oil; Phenomena, making notes in her journal; Maelstrom, squashed into his too-small chair with one of Fauna’s tiny Japanese teacups cradled in his hand; and finally, Shenanigan, coaxing some feeling back into her toes. The eldest of the Swift children was not present. Felicity was abroad, stay­ing in Paris for a few weeks with Flora and Daisy. She phoned, when she remembered, and peppered her conversation with little French phrases to show she was sophisticated now.
 
The only other resident of Swift House was John the Cat, and he was not present either, as he wasn’t very good at riddles.
 
“This had better be quick,” snapped Aunt Schadenfreude. “I was just getting to a good part of this very silly book.”
 
The book in question had an image of a woman on the cover, swooning in the arms of a muscular werewolf. Schadenfreude had re­ally dedicated herself to retirement. Cook had even bought her a pair of fluffy slippers, which Aunt Schadenfreude had insulted viciously and worn every day since.
 
“Noted,” said Fauna. “Cook? Maelstrom? You’re well? Good. Girls?”
 
“We’re fine,” Phenomena and Shenanigan chorused.
 
“Not missing Felicity?”
 
“Nah,” said Shenanigan.
 
“I forgot she was even gone,” said Phenomena.
 
“Who’s Felicity?” added Shenanigan.
 
“It’s all right to miss her, you know,” said Fauna. “You’ve been together your whole lives. It’s a big change.”
 
“I know it’s all right.” Shenanigan sighed. “But I really don’t.”
 
“She’s probably having the time of her life,” added Phenomena. “Conjugating verbs at people and buying silk scarves.”
 
Fauna’s smile was sad. “You can be glad she’s living her life with­out you, and happy you’re living yours, and still miss her,” she in­sisted. She blinked hard. “Since she’s in Paris, and very far away, and your best friend.”
 
“She’s not my best friend,” Shenanigan muttered as Cook handed Fauna a handkerchief. “She’s not even my best sister.”
 
This made Cook tut, but Shenanigan and Felicity had ended their long grudge a few months ago. They still insulted each other, but now Felicity smiled when she called Shenanigan a pest, and She­nanigan removed spiders from Felicity’s room rather than putting them there.
 
“Anyway”—Fauna blew her nose—“Felicity is actually the rea­son I called you all here.” She plucked a letter from the line above her head and smoothed it over her knee. “Your sister has sent us a letter, and—well, before I read it, let me just say that I don’t think we need to be concerned.”
 
“Always reassuring to hear,” muttered Aunt Schadenfreude.
 
“It’s just that I know you’re going to react badly,” said Fauna, “and I really think there’s no need. Um. I’ll just read it.”
 
Felicity had learned to write from romance novels set in the 1800s, the kind where people fall into a near-fatal fever at any minor inconvenience. To Shenanigan, her letters all sounded as if they were about to announce either her imminent marriage or imminent death. This one read:
 
To my beloved family, from whom I am separated so cruelly (and also Shenanigan),
 
I write to you from a café on the Champs-Élysées, with a pot of coffee to my left and an Opéra cake to my right, and a perfect view of Paris’s most fashionable citizens between them. Daisy was kind enough to purchase this “petite gâterie” (that’s “little treat”) for me, and I think it cost as much as my last pair of shoes. She and Flora are currently in a “parfumerie” (that’s “perfume shop”) across the street, and if I squint, I can see them in the window, spritzing.

An event occurred yesterday that will be of great interest to you. Whilst I was visiting La Garde-robe (a fashion museum) I was approached by one of our cousins! Her name is Pomme, and I found her charming and most agreeable, and she has invited me to stay with our French relations, the Martinets, at their hotel. I was quite surprised, as I didn’t even know we had French relations, let alone ones with a special surname and a hotel of their very own!

I have decided to take Pomme up on her offer, and shall be parting company with Flora and Daisy forthwith. Of course, I know it is common for young women of my age to Go Into Town with their aunts, but I do believe my chaperones could do with some unchaperoned time themselves (please imagine I am giving you a meaningful look, Fauna). I will be heading to the Hôtel Martinet tonight, and have enclosed the new return address for your letters.

“À bientôt” (that’s “see you soon,” basically),
Felicity
 
It seemed like a perfectly normal letter to Shenanigan, but Aunt Schadenfreude nodded grimly.
 
“Well, that’s it, then,” she said in a brisk tone. “Felicity’s as good as dead.”
 
★ “In this second series entry, as delightfully hilarious and witty as the first, Shenanigan Swift learns she has family in Paris—the Martinet cousins—with whom the English Swifts have long been feuding. [A] comically flamboyant heist mystery.” —Kirkus, starred review

Praise for #1 New York Times bestseller, The Swifts: A Dictionary of Scoundrels

 
Winner of the Nero Book Award for Children’s Fiction
An ALA Notable Book
A Publishers Weekly Flying Start
 
“Deliciously, quirkily Gothic.” —New York Times Book Review
 
★ “Knives Out feel by way of Lemony Snicket . . . A mystery that is as clever as its heroine.” —Publishers Weekly, starred review
 
★ “Positively writhing with twists.” —Booklist, starred review
 
★ “Lincoln’s love of lexicon shines. A delightful pick for sharp readers enamored of gothic sensibilities and clever prose.” —Shelf Awareness, starred review

★ “The humor and action are spot-on.” —Kirkus, starred review

“Lincoln whips up a witty confection of highly colorful characters, dynamic wordplay, and a plot dense with action, suspense, double-dealing, innovative murder weapons, and a well-orchestrated eleventh-hour reveal.” —The Horn Book Magazine

The Swifts celebrates the wonders of wordplay and the complexity of identity while serving up a compelling murder mystery and a twisty treasure hunt.” —BookPage

About

Instant New York Times bestseller!

Shenanigan Swift is headed to Paris, where new mysteries await in the hilarious, quick-witted sequel to Beth Lincoln’s #1 bestseller, The Swifts: A Dictionary of Scoundrels.


“Abundant wordplay and humor will keep the pages turning.″ —Kirkus, starred review

Now that the family reunion is over and the murderer has been caught, Shenanigan Swift can return to important projects, like searching for the long-lost family treasure. But trouble always finds Shenanigan, and when a valuable painting is stolen from Swift House by a group of eccentric art thieves known as Ouvolpo, she is determined to get it back—even if it means chasing them all the way to Paris. A new adventure is about to begin, and Shenanigan’s sleuthing skills will soon be tested like never before.

A Gallery of Rogues is the highly anticipated sequel to Beth Lincoln’s celebrated debut, A Dictionary of Scoundrels. Beloved characters are back, joined by a fresh flock of relatives from the French branch of the Swift family tree—the Martinets, including Cousins Soufflé, Mercredi, Contraire, and Pomme. Get ready to say bonjour to more secrets, more bodies, and even more fun, in this delicious mystery that once again celebrates words, family, and plenty of shenanigans.

Author

© James Edwin Lane
Beth Lincoln is the award-winning, #1 New York Times bestselling author of The Swifts series, which was inspired by her love of etymology, the gleeful gothic, and classic murder mysteries. Her debut novel, The Swifts: A Dictionary of Scoundrels was the winner of the Barnes & Noble Children’s & YA Book Award and the Nero Book Award for Children’s Fiction. 


Raised in a former Victorian railway station in the North of England, Beth’s childhood fears included porcelain dolls, the Durham panther, and wardrobes that looked at her funny. She grew neither tall nor wise, and never learned to play an instrument—but she did write stories, a bad habit that has persisted to this day. When she isn’t writing, Beth is woodcarving, or making a mess of her flat, or talking the nearest ear off about unexplained occurrences. Her favorite things include ghosts, crisps, and weird old words like bumbershoot and zounderkite. 


She lives in Newcastle upon Tyne with her partner and hopefully, by the time you are reading this, a dog.  View titles by Beth Lincoln

Excerpt

“Thank you all for coming,” said Fauna, pouring tea with one hand and replacing a peg with the other. She had a faint frown on her face; it made her look like her sister. “How are we today?”
 
She surveyed the circle of relatives. There was Aunt Schadenfreude, lounging comfortably with a battered paperback and some­thing green smeared all over her face; Cook, sleeves rolled to the elbows and her cropped hair streaked with motor oil; Phenomena, making notes in her journal; Maelstrom, squashed into his too-small chair with one of Fauna’s tiny Japanese teacups cradled in his hand; and finally, Shenanigan, coaxing some feeling back into her toes. The eldest of the Swift children was not present. Felicity was abroad, stay­ing in Paris for a few weeks with Flora and Daisy. She phoned, when she remembered, and peppered her conversation with little French phrases to show she was sophisticated now.
 
The only other resident of Swift House was John the Cat, and he was not present either, as he wasn’t very good at riddles.
 
“This had better be quick,” snapped Aunt Schadenfreude. “I was just getting to a good part of this very silly book.”
 
The book in question had an image of a woman on the cover, swooning in the arms of a muscular werewolf. Schadenfreude had re­ally dedicated herself to retirement. Cook had even bought her a pair of fluffy slippers, which Aunt Schadenfreude had insulted viciously and worn every day since.
 
“Noted,” said Fauna. “Cook? Maelstrom? You’re well? Good. Girls?”
 
“We’re fine,” Phenomena and Shenanigan chorused.
 
“Not missing Felicity?”
 
“Nah,” said Shenanigan.
 
“I forgot she was even gone,” said Phenomena.
 
“Who’s Felicity?” added Shenanigan.
 
“It’s all right to miss her, you know,” said Fauna. “You’ve been together your whole lives. It’s a big change.”
 
“I know it’s all right.” Shenanigan sighed. “But I really don’t.”
 
“She’s probably having the time of her life,” added Phenomena. “Conjugating verbs at people and buying silk scarves.”
 
Fauna’s smile was sad. “You can be glad she’s living her life with­out you, and happy you’re living yours, and still miss her,” she in­sisted. She blinked hard. “Since she’s in Paris, and very far away, and your best friend.”
 
“She’s not my best friend,” Shenanigan muttered as Cook handed Fauna a handkerchief. “She’s not even my best sister.”
 
This made Cook tut, but Shenanigan and Felicity had ended their long grudge a few months ago. They still insulted each other, but now Felicity smiled when she called Shenanigan a pest, and She­nanigan removed spiders from Felicity’s room rather than putting them there.
 
“Anyway”—Fauna blew her nose—“Felicity is actually the rea­son I called you all here.” She plucked a letter from the line above her head and smoothed it over her knee. “Your sister has sent us a letter, and—well, before I read it, let me just say that I don’t think we need to be concerned.”
 
“Always reassuring to hear,” muttered Aunt Schadenfreude.
 
“It’s just that I know you’re going to react badly,” said Fauna, “and I really think there’s no need. Um. I’ll just read it.”
 
Felicity had learned to write from romance novels set in the 1800s, the kind where people fall into a near-fatal fever at any minor inconvenience. To Shenanigan, her letters all sounded as if they were about to announce either her imminent marriage or imminent death. This one read:
 
To my beloved family, from whom I am separated so cruelly (and also Shenanigan),
 
I write to you from a café on the Champs-Élysées, with a pot of coffee to my left and an Opéra cake to my right, and a perfect view of Paris’s most fashionable citizens between them. Daisy was kind enough to purchase this “petite gâterie” (that’s “little treat”) for me, and I think it cost as much as my last pair of shoes. She and Flora are currently in a “parfumerie” (that’s “perfume shop”) across the street, and if I squint, I can see them in the window, spritzing.

An event occurred yesterday that will be of great interest to you. Whilst I was visiting La Garde-robe (a fashion museum) I was approached by one of our cousins! Her name is Pomme, and I found her charming and most agreeable, and she has invited me to stay with our French relations, the Martinets, at their hotel. I was quite surprised, as I didn’t even know we had French relations, let alone ones with a special surname and a hotel of their very own!

I have decided to take Pomme up on her offer, and shall be parting company with Flora and Daisy forthwith. Of course, I know it is common for young women of my age to Go Into Town with their aunts, but I do believe my chaperones could do with some unchaperoned time themselves (please imagine I am giving you a meaningful look, Fauna). I will be heading to the Hôtel Martinet tonight, and have enclosed the new return address for your letters.

“À bientôt” (that’s “see you soon,” basically),
Felicity
 
It seemed like a perfectly normal letter to Shenanigan, but Aunt Schadenfreude nodded grimly.
 
“Well, that’s it, then,” she said in a brisk tone. “Felicity’s as good as dead.”
 

Praise

★ “In this second series entry, as delightfully hilarious and witty as the first, Shenanigan Swift learns she has family in Paris—the Martinet cousins—with whom the English Swifts have long been feuding. [A] comically flamboyant heist mystery.” —Kirkus, starred review

Praise for #1 New York Times bestseller, The Swifts: A Dictionary of Scoundrels

 
Winner of the Nero Book Award for Children’s Fiction
An ALA Notable Book
A Publishers Weekly Flying Start
 
“Deliciously, quirkily Gothic.” —New York Times Book Review
 
★ “Knives Out feel by way of Lemony Snicket . . . A mystery that is as clever as its heroine.” —Publishers Weekly, starred review
 
★ “Positively writhing with twists.” —Booklist, starred review
 
★ “Lincoln’s love of lexicon shines. A delightful pick for sharp readers enamored of gothic sensibilities and clever prose.” —Shelf Awareness, starred review

★ “The humor and action are spot-on.” —Kirkus, starred review

“Lincoln whips up a witty confection of highly colorful characters, dynamic wordplay, and a plot dense with action, suspense, double-dealing, innovative murder weapons, and a well-orchestrated eleventh-hour reveal.” —The Horn Book Magazine

The Swifts celebrates the wonders of wordplay and the complexity of identity while serving up a compelling murder mystery and a twisty treasure hunt.” —BookPage

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