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The 20th Century Children's Poetry Treasury

Illustrated by Meilo So
Selected by Jack Prelutsky
Look inside
Hardcover
$21.99 US
RH Childrens Books | Knopf Books for Young Readers
9.31"W x 11.13"H x 0.51"D  
On sale Sep 28, 1999 | 96 Pages | 978-0-679-89314-1
| Preschool - 3
Reading Level: Lexile NP
Add to cart Add to list Exam Copies
"Until this century, most children's poetry was either syrupy sweet or overblown and didactic, and tended to talk down to its readers. Contemporary children's poets have thrown all that condescension and moralizing out the window, and write with today's real child in mind."
- from the Introduction by Jack Prelutsky

Here in one gloriously illustrated volume are 211 wonderful poems that represent the best this century has to offer. From sibling rivalry, school, monsters, food, and just plain silliness, to such ageless themes as the seasons, Who am I?, and the many moods of childhood, this is a collection that begs to be read aloud and shared with the whole family. The poems, from every decade of this century, showcase 137 famous poets.

Selected by Jack Prelutsky, America's leading children's poet, and illustrated by award-winning watercolorist Meilo So, this useful and beautiful gift is a splendid way to end the century -- or start a new one. Truly a book that families will cherish long after the millennium excitement is over, The 20th-Century Children's Poetry Treasury is a joyous companion volume to the best-selling The 20th-Century Children's Book Treasury.

This book has been selected as a Common Core State Standards Text Exemplar (Grades K-1, 2-3, Poetry) in Appendix B.
Meilo So has illustrated several award-winning books, including Tasty Baby Belly Buttons, by Judy Sierra; It’s Simple, Said Simon, by Mary Ann Hoberman; The Ugly Duckling, retold by Kevin Crossley-Holland; and Countdown to Spring!, by Janet Schulman. Meilo So was born in Hong Kong and lives in England with her
husband and daughter.

ABOUT THE AUTHOR

I have always made narrative into pictures . . .

I have been drawing from about the time I was five years old. My grandfather had a mannequin shop; I used to watch him painting eyes and lips on the models. I have always made narrative into pictures. My first children’s book was published in Hong Kong in 1987. I wrote the story; it was about a naughty angel with three black spots on her
face. It was semi-autobiographical.

I try to keep my life simple and I choose a simple, light-weight medium . . .

I enjoy using acrylics and recently gouache (as in Countdown to Spring!). I prefer a medium that you can make corrections with. My favorite is simple black-and-white drawings. I haven’t lived all over the world, but I have traveled a little bit, and it has influenced me to carry fewer and fewer tools with me when it comes to work, and I think a lot more in my head.

I like to write and illustrate books, whether they are for adults or children . . .

I like to write and illustrate books, whether they are for adults or children. I like the story to be kind and optimistic. I enjoy painting domestic settings.

Since the birth of my daughter I am now more attracted to bold and simple illustrations . . .

My work is also influenced by a Chinese artist named Feng Tse Kai, who worked in the 1930s to 1960s. His simple brush drawings about children, childhood, wars, ordinary people—they are very touching images, but not sentimental. I also admire Ben Shann’s work a great deal.

The whole working process flowed nicely . . .
I enjoyed illustrating The Beauty of the Beast. It is one of those projects that you know is going to look good. The whole working process flowed nicely.


PRAISE

THE BEAUTY OF THE BEAST
Poems from the Animal Kingdom

—An ALA Notable Book

“Meilo So does enchantingly unreal paintings: whimsical watercolors made with a wet-on-wet technique that reserves the spontaneity of her hand gestures. In very few brush strokes, she captures the essence of organisms from stallions to sea horses. Yet the images themselves are abstract, almost calligraphic pictograms.”—The New York Times Book Review View titles by Meilo So
"We Are Plooters"

We are Plooters,
We don't care,
We make messes
Everywhere,
We strip forests
Bare of trees,
We dump garbage
In the seas.

We are Plooters,
We enjoy
Finding beauty
To destroy,
We intrude
Where creatures thrive,
Soon there's little
Left alive.

Underwater,
Underground,
Nothing's safe
When we're around,
We spew poisons
In the air,
We are Plooters,
We don't care.

-Jack Prelutsky
Copyright © 1993 by Jack Prelutsky. Used by permission of the author, who controls all rights.

"Where Are You Now?"

When the night begins to fall
And the sky begins to glow
You look up and see the tall
City of light begin to grow --
In rows and little golden squares
The lights come out. First here, then there
Behind the windowpanes as though
A million billion bees had built
Their golden hives and honeycombs
Above you in the air.

-Mary Britton Miller
From All Aboard by Mary Britton Miller. Copyright © 1958 by Pantheon Books, Inc. Reprinted by permission of Pantheon Books, a division of Random House, Inc.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

About

"Until this century, most children's poetry was either syrupy sweet or overblown and didactic, and tended to talk down to its readers. Contemporary children's poets have thrown all that condescension and moralizing out the window, and write with today's real child in mind."
- from the Introduction by Jack Prelutsky

Here in one gloriously illustrated volume are 211 wonderful poems that represent the best this century has to offer. From sibling rivalry, school, monsters, food, and just plain silliness, to such ageless themes as the seasons, Who am I?, and the many moods of childhood, this is a collection that begs to be read aloud and shared with the whole family. The poems, from every decade of this century, showcase 137 famous poets.

Selected by Jack Prelutsky, America's leading children's poet, and illustrated by award-winning watercolorist Meilo So, this useful and beautiful gift is a splendid way to end the century -- or start a new one. Truly a book that families will cherish long after the millennium excitement is over, The 20th-Century Children's Poetry Treasury is a joyous companion volume to the best-selling The 20th-Century Children's Book Treasury.

This book has been selected as a Common Core State Standards Text Exemplar (Grades K-1, 2-3, Poetry) in Appendix B.

Author

Meilo So has illustrated several award-winning books, including Tasty Baby Belly Buttons, by Judy Sierra; It’s Simple, Said Simon, by Mary Ann Hoberman; The Ugly Duckling, retold by Kevin Crossley-Holland; and Countdown to Spring!, by Janet Schulman. Meilo So was born in Hong Kong and lives in England with her
husband and daughter.

ABOUT THE AUTHOR

I have always made narrative into pictures . . .

I have been drawing from about the time I was five years old. My grandfather had a mannequin shop; I used to watch him painting eyes and lips on the models. I have always made narrative into pictures. My first children’s book was published in Hong Kong in 1987. I wrote the story; it was about a naughty angel with three black spots on her
face. It was semi-autobiographical.

I try to keep my life simple and I choose a simple, light-weight medium . . .

I enjoy using acrylics and recently gouache (as in Countdown to Spring!). I prefer a medium that you can make corrections with. My favorite is simple black-and-white drawings. I haven’t lived all over the world, but I have traveled a little bit, and it has influenced me to carry fewer and fewer tools with me when it comes to work, and I think a lot more in my head.

I like to write and illustrate books, whether they are for adults or children . . .

I like to write and illustrate books, whether they are for adults or children. I like the story to be kind and optimistic. I enjoy painting domestic settings.

Since the birth of my daughter I am now more attracted to bold and simple illustrations . . .

My work is also influenced by a Chinese artist named Feng Tse Kai, who worked in the 1930s to 1960s. His simple brush drawings about children, childhood, wars, ordinary people—they are very touching images, but not sentimental. I also admire Ben Shann’s work a great deal.

The whole working process flowed nicely . . .
I enjoyed illustrating The Beauty of the Beast. It is one of those projects that you know is going to look good. The whole working process flowed nicely.


PRAISE

THE BEAUTY OF THE BEAST
Poems from the Animal Kingdom

—An ALA Notable Book

“Meilo So does enchantingly unreal paintings: whimsical watercolors made with a wet-on-wet technique that reserves the spontaneity of her hand gestures. In very few brush strokes, she captures the essence of organisms from stallions to sea horses. Yet the images themselves are abstract, almost calligraphic pictograms.”—The New York Times Book Review View titles by Meilo So

Excerpt

"We Are Plooters"

We are Plooters,
We don't care,
We make messes
Everywhere,
We strip forests
Bare of trees,
We dump garbage
In the seas.

We are Plooters,
We enjoy
Finding beauty
To destroy,
We intrude
Where creatures thrive,
Soon there's little
Left alive.

Underwater,
Underground,
Nothing's safe
When we're around,
We spew poisons
In the air,
We are Plooters,
We don't care.

-Jack Prelutsky
Copyright © 1993 by Jack Prelutsky. Used by permission of the author, who controls all rights.

"Where Are You Now?"

When the night begins to fall
And the sky begins to glow
You look up and see the tall
City of light begin to grow --
In rows and little golden squares
The lights come out. First here, then there
Behind the windowpanes as though
A million billion bees had built
Their golden hives and honeycombs
Above you in the air.

-Mary Britton Miller
From All Aboard by Mary Britton Miller. Copyright © 1958 by Pantheon Books, Inc. Reprinted by permission of Pantheon Books, a division of Random House, Inc.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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