Dream Something Big

Illustrated by Susan L. Roth
Between 1921 and 1955, Italian immigrant Simon Rodia transformed broken glass, seashells, pottery, and a dream to "do something big" into a U.S. National Landmark. Readers watch the towers rise from his little plot of land in Watts, California, through the eyes of a fictional girl as she grows and raises her own children. Chronicled in stunningly detailed collage that mimics Rodia's found-object art, this thirty-four-year journey becomes a mesmerizing testament to perseverance and possibility. A final, innovative "build-your-own-tower" activity makes this multicultural, intergenerational tribute a classroom natural and a perfect gift-sure to encourage kids to follow their own big dreams.
Susan L. Roth is the author and illustrator of many beautiful books for children. To create the collages for her books, Ms. Roth uses papers from sixteen baskets in her studio, which are lined up by color. View titles by Susan L. Roth
“[Aston’s] winding, poetic language evokes the strange beauty of the sculptures themselves.” — Booklist

About

Between 1921 and 1955, Italian immigrant Simon Rodia transformed broken glass, seashells, pottery, and a dream to "do something big" into a U.S. National Landmark. Readers watch the towers rise from his little plot of land in Watts, California, through the eyes of a fictional girl as she grows and raises her own children. Chronicled in stunningly detailed collage that mimics Rodia's found-object art, this thirty-four-year journey becomes a mesmerizing testament to perseverance and possibility. A final, innovative "build-your-own-tower" activity makes this multicultural, intergenerational tribute a classroom natural and a perfect gift-sure to encourage kids to follow their own big dreams.

Author

Susan L. Roth is the author and illustrator of many beautiful books for children. To create the collages for her books, Ms. Roth uses papers from sixteen baskets in her studio, which are lined up by color. View titles by Susan L. Roth

Praise

“[Aston’s] winding, poetic language evokes the strange beauty of the sculptures themselves.” — Booklist

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