The Painter and the President

Gilbert Stuart's Brush with George Washington

Illustrated by Stacy Innerst
Ebook
9"W x 11"H
On sale Aug 27, 2024 | 40 Pages | 9781662680014
Grades 2-5
Reading Level: Lexile 680L | Fountas & Pinnell R
George Washington hated having his portrait painted, but as president of the United States, he knew his image needed to live on. This nonfiction picture book explores how artist Gilbert Stuart created Washington’s most lasting and recognized portrait—the one that’s used on the one-dollar bill.

Kirkus Reviews, starred review 
Publishers Weekly, starred review
Booklist, starred review


George Washington and artist Gilbert Stuart didn’t always see eye-to-eye, but both men knew the importance of legacy and the power of art. Though George disliked having his portrait painted—which took days and days to complete—he knew his place in history would require people to know his face. Fortunately, Gilbert Stuart’s unique way of painting didn’t compel his subjects to sit for hours on end—in fact, he encouraged them to move around and even bring friends to chat with. Capturing the soul of each subject, his portraits were unlike any other artists’. And Gilbert Stuart’s one-of-a-kind portrait of Washington stands the test of timeit’s the one that’s used on the one-dollar bill.
Sarah Albee is the New York Times bestselling author of more than 150 books for children (some under pseudonyms). Her titles include Troublemakers in Trousers: Women and What They Wore to Get Things Done, which was named a New York Public Library Best Children’s Book and a Bank Street Best Children’s Book, Jane Goodall: A Champion of Chimpanzees, also named a Bank Street Best Children’s Book, and Accidental Archaeologists: True Stories of Unexpected Discoveries, which won the Connecticut Book Award. She lives in Connecticut and Brooklyn with her husband and three children. Visit sarahalbeebooks.com. View titles by Sarah Albee
© Michael Santiago
Stacy Innerst is a painter, children's book artist, and educator. His books have been honored with the Sydney Taylor Award for The Book Rescuer: How a Mensch from Massachusetts Saved Yiddish Literature for Generations to Come, The New York Times/New York Public Library Best Illustrated Children's Books Award for Ruth Bader Ginsburg: The Case of RBG Vs. Inequality, the SCBWI Golden Kite for Picture Book Illustration for The Music in George’s Head. His recent books for Calkins Creek include Jack Knight’s Brave Flight, Saving Lady Liberty, and Lincoln Clears a Path. Visit stacyinnerst.com View titles by Stacy Innerst
★ "An account of the rocky relationship between the U.S.’s first president and his most famous portrait painter... A timeline at the end daubs in further biographical details about the disparate duo, and the whole not insignificant historical anecdote is capped by closing comments on Washington’s “tooth troubles” and why his picture on the dollar bill has him facing the other way. The result is a humorous yet enlightening work that humanizes seemingly distant or imposing figures. A lighthearted, illuminating, and thought-provoking look at a brief but meaningful historical moment." Kirkus Reviews, starred review

"Readers get two character portraits here: that of impatient, action-oriented Washington and that of the freewheeling Stuart, who broke from the 'sit still' school of portraitists...The illustrations, done with acrylics and pencils, have a whimsical, cutout quality, with swirling brushstrokes in the background emulating Stuart’s signature brushwork and putting the emphasis on the characters, while occasional sidebars convey a wealth of historical information. Readers will gain an appreciation of the arduous art of portrait painting, with the added humor of Stuart’s psychological tricks...A captivating exploration of the making of one of history’s most famous portraits." —Booklist, starred review

★ "Elegantly economic, always accessible prose gives a sense of the era’s decorum, while sculptural acrylic, pencil, and digital artwork captures both the artistic process and the wrangling of two unique historical personalities."Publishers Weekly, starred review

"An iconic portrait of George Washington comes to life in this painterly picture book...president. The illustrations take painting as their inspiration, withvisible brushstrokes and dramatic contrasts creating an immersive experience." —Foreword Reviews

“Expressive language and delightful acrylic, pencil, and digital illustrations, which include images from actual portraits, combine to make a lively and interesting biography of a painter and a glimpse into a little-known event in the life of the first president… Pair this with a traditional biography of Washington for a refreshing look into the legacy of both the president and the painter. Highly recommended.”—School Library Journal

"The Painter and the President spotlights the relationship between America’s first president and Gilbert Stuart, one of the many artists who tried to capture his image on canvas. By the time of Washington’s presidency, Stuart had made a fine reputation as a portraitist. Although many of his subjects loved sitting for him, the laconic George Washington was not one of them. Sarah Albee and Stacy Innerst cleverly celebrate this relationship by looking at the many ways the painter tried in order to get a true portrait of America’s first president."—Mary V. Thompson, research historian emerita, George Washington’s Mount Vernon


About

George Washington hated having his portrait painted, but as president of the United States, he knew his image needed to live on. This nonfiction picture book explores how artist Gilbert Stuart created Washington’s most lasting and recognized portrait—the one that’s used on the one-dollar bill.

Kirkus Reviews, starred review 
Publishers Weekly, starred review
Booklist, starred review


George Washington and artist Gilbert Stuart didn’t always see eye-to-eye, but both men knew the importance of legacy and the power of art. Though George disliked having his portrait painted—which took days and days to complete—he knew his place in history would require people to know his face. Fortunately, Gilbert Stuart’s unique way of painting didn’t compel his subjects to sit for hours on end—in fact, he encouraged them to move around and even bring friends to chat with. Capturing the soul of each subject, his portraits were unlike any other artists’. And Gilbert Stuart’s one-of-a-kind portrait of Washington stands the test of timeit’s the one that’s used on the one-dollar bill.

Author

Sarah Albee is the New York Times bestselling author of more than 150 books for children (some under pseudonyms). Her titles include Troublemakers in Trousers: Women and What They Wore to Get Things Done, which was named a New York Public Library Best Children’s Book and a Bank Street Best Children’s Book, Jane Goodall: A Champion of Chimpanzees, also named a Bank Street Best Children’s Book, and Accidental Archaeologists: True Stories of Unexpected Discoveries, which won the Connecticut Book Award. She lives in Connecticut and Brooklyn with her husband and three children. Visit sarahalbeebooks.com. View titles by Sarah Albee
© Michael Santiago
Stacy Innerst is a painter, children's book artist, and educator. His books have been honored with the Sydney Taylor Award for The Book Rescuer: How a Mensch from Massachusetts Saved Yiddish Literature for Generations to Come, The New York Times/New York Public Library Best Illustrated Children's Books Award for Ruth Bader Ginsburg: The Case of RBG Vs. Inequality, the SCBWI Golden Kite for Picture Book Illustration for The Music in George’s Head. His recent books for Calkins Creek include Jack Knight’s Brave Flight, Saving Lady Liberty, and Lincoln Clears a Path. Visit stacyinnerst.com View titles by Stacy Innerst

Praise

★ "An account of the rocky relationship between the U.S.’s first president and his most famous portrait painter... A timeline at the end daubs in further biographical details about the disparate duo, and the whole not insignificant historical anecdote is capped by closing comments on Washington’s “tooth troubles” and why his picture on the dollar bill has him facing the other way. The result is a humorous yet enlightening work that humanizes seemingly distant or imposing figures. A lighthearted, illuminating, and thought-provoking look at a brief but meaningful historical moment." Kirkus Reviews, starred review

"Readers get two character portraits here: that of impatient, action-oriented Washington and that of the freewheeling Stuart, who broke from the 'sit still' school of portraitists...The illustrations, done with acrylics and pencils, have a whimsical, cutout quality, with swirling brushstrokes in the background emulating Stuart’s signature brushwork and putting the emphasis on the characters, while occasional sidebars convey a wealth of historical information. Readers will gain an appreciation of the arduous art of portrait painting, with the added humor of Stuart’s psychological tricks...A captivating exploration of the making of one of history’s most famous portraits." —Booklist, starred review

★ "Elegantly economic, always accessible prose gives a sense of the era’s decorum, while sculptural acrylic, pencil, and digital artwork captures both the artistic process and the wrangling of two unique historical personalities."Publishers Weekly, starred review

"An iconic portrait of George Washington comes to life in this painterly picture book...president. The illustrations take painting as their inspiration, withvisible brushstrokes and dramatic contrasts creating an immersive experience." —Foreword Reviews

“Expressive language and delightful acrylic, pencil, and digital illustrations, which include images from actual portraits, combine to make a lively and interesting biography of a painter and a glimpse into a little-known event in the life of the first president… Pair this with a traditional biography of Washington for a refreshing look into the legacy of both the president and the painter. Highly recommended.”—School Library Journal

"The Painter and the President spotlights the relationship between America’s first president and Gilbert Stuart, one of the many artists who tried to capture his image on canvas. By the time of Washington’s presidency, Stuart had made a fine reputation as a portraitist. Although many of his subjects loved sitting for him, the laconic George Washington was not one of them. Sarah Albee and Stacy Innerst cleverly celebrate this relationship by looking at the many ways the painter tried in order to get a true portrait of America’s first president."—Mary V. Thompson, research historian emerita, George Washington’s Mount Vernon


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