Charles Darnay and Sydney Carton are alike in appearance, different in character and in love with the same woman. In the midst of the French Revolution, Darnay, who has fled to London to escape the cruelty of the French nobility, must return to Paris to rescue his servant from death. But he endangers his own life and is captured. Carton may be able to help, but will his resemblance be enough to save Darnay's life? With an enticing introduction by bestselling author, Roddy Doyle.
Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works. View titles by Charles Dickens
“[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens’ standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride.”–from the Introduction by Simon Schama

About

Charles Darnay and Sydney Carton are alike in appearance, different in character and in love with the same woman. In the midst of the French Revolution, Darnay, who has fled to London to escape the cruelty of the French nobility, must return to Paris to rescue his servant from death. But he endangers his own life and is captured. Carton may be able to help, but will his resemblance be enough to save Darnay's life? With an enticing introduction by bestselling author, Roddy Doyle.

Author

Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works. View titles by Charles Dickens

Praise

“[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens’ standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride.”–from the Introduction by Simon Schama

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